Waiting for the boat

… to be painted.

"Where's the boat?", acrylics on canvas, 60 cm x 30 cm

I did this little painting for the monthly acrylic challenge. Actually there should have been a nice tugboat in the middle of this river, but somehow I do have some trouble painting it. My first attempt failed terribly and I had a hard time restoring the image back to how it looked before I tried changing it.

Well, this painting clearly needs something – no matter what – in the foreground. It cannot be left that way. However, since I don’t want to ruin it in the end, I’ll try to go for something rather small first. Perhaps a little boat or something like that?

( – End of art content here. Beginning of weird dolly content beneath the more tag. Beware! – )

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Oil pastel painting WIP start to finish

Today is a big day – it’s my blog’s 1st birthday. Yet instead of a piece of cake I will offer you a tiny oil pastel tutorial. Enjoy!

The painting shown here was done for the February 2008 Oil Pastel Challenge on WetCanvas. Thank you very much Angela for this beautiful shot!

The first thing I need to know before starting a painting is the composition. In this case I decided to put this little horse into a nightly landscape and in order to show more of the night sky I decided to work on a vertical format.

I know that there are plenty of artists out there who can start painting right away and will always get a gorgeous result, but I need to have made up my mind completely before I can start to paint. I need to see the finished piece clearly in front of my inner eyes.

The photo above shows you how I usually start the paintings: I transfer the most important lines using either charcoal or white chalk, depending on the color of my support. No details for me at this stage.

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Next step is choosing the right colors for this painting. I’ve made a color chart for that purpose, since one cannot always tell the color from looking at the pastel itself.

There’s really no need to choose the same colors as in your ref picture, just make sure, that you choose corresponding values and that the colors you choose match well together. Most of my paintings have stong complementary contrasts, but not all of them. This one here is almost monochromatic as one usually does not perceive colors by night (without artificial lighting).

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That’s what I came up with. Basically 3 colors: pale yellows, light pinks and two blues. The olive green is just meant for adding some darker accents where necessary.

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Next step is blocking in the main colors of the background. I always start with the background that makes it so much easier to find the right color and value for the main subject. And as you will notice, too, when looking at the upper left corner I also start blending the OPs almost immediately as I like a smooth and even surface, almost like an oil painting.

That’s what the painting looks like after having blended all the colors in the background. Now I can start working on the horse. I decided to leave the dark color of the background as the darkest value on the horse and just added lighter colors where necessary and this was the result:

Now the painting is almost done and it’s about time to decide how detailed the final work shall be. In the end I decided that the painting is basically finished as it is. All I did was adding some stars to the night sky and adjusting some values on the horse. The actual color of the finished painting is somewhere in the middle between the two photos (the one above and the one beneath these lines.)

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“As the moon began to fade the stars became visible”

oil pastel on pastelboard

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By the way, the stars you can see in this painting are the constellations Phoenix, Pisces, Aquarius and Pegasus, of course ;-)).

WeCa: Three Pears

“three pears”, 9″ x 6″, oil pastel on pastelboard

(Wet Canvas oil pastel challenge March 2008)

Oil Pastel: Portrait of a girl (finished)

As other things keep me quite busy I do not have much time for painting at the moment. So I am very glad that I had a spare moment to finish this portrait. Of course there are still little things that could be improved, but I’m ready to leave it the way it looks now, too.

On to the next painting :)!

Oil Pastel: Portrait of a girl (WIP)

I promised you some updates on the portrait:

And that’s where I am now. It still needs many, many corrections, but at least I layed down my color scheme. This painting turned out to have a strong red/green contrast. I always work with complementary contrasts, yet only seldom with the red/green one. So it’s a kind of new territory for me. Hope that I will be able to finish it soon.